Day Two: Le Travail Commence

The heat that's been plaguing the Rhone-Alpes really makes me miss the cool mornings in Bretagne and the fresh country air. Opening my windows in Chasse lets in the faint odor of factory pollution and slightly burns my nostrils. I never realized it existed until I left for a farm in the paradise that is northern France.

A glimpse of the farmhouse

Catherine tapped on my door at 8:00am and we had a breakfast of baguette, butter, and jam...the standard French breakfast. Very bready and leaving one hungry again 30 minutes later. Not wasting a crumb, Catherine showed me how to put most of one's leftover food in the bucket for chickens. Chickens, she told me, eat just about anything, while rabbits have very fragile stomachs and will die if they eat the wrong plant. From that moment on, I was terrified to feed the rabbits.

I began by picking cassis or blackcurrant from the dozens of bushes that bordered the donkey pen. It was an incredibly calming activity, making me feel zen-like within minutes. Michel eventually wandered by and told me it was even more serene if done barefoot, the sensation of the earth on the bottom of the feet. He was right. I returned my knee high rubber boots to the shed and disappeared into a world of berries and my thoughts for a few hours, until Claude came out to see the donkeys.

My blackcurrant harvest, Pitchoun keeping me company

She spoke rapid-fire French and I have to admit to nodding and smiling when I couldn't pick up what she was saying. Then, she surprised me by getting on one of the donkeys bareback. The next thing I saw was the donkey bucking and kicking rodeo style, Claude screaming doucement! and seconds later, she was thrown from its back, groaning on the ground. Shocked, I stood still for a good three seconds before reacting. Then dropping my tub of berries, I ran to fetch Catherine who came to her daughter's aid. Saying that Claude was prone to tomber dans les pommes, an expression that means 'to faint,' I tried to explain that she had been at the donkey's mercy instead. After that was eventually cleared up, Claude went inside to rest, while Catherine and I went to go feed the animals.

The guilty holds his head low.

The one thing that bothered me was that every animal we went to go feed would later be killed as food themselves. In fact, we ended up eating an old rooster with chickpeas that night for dinner. It pained me to look at the warbling grey geese and ducks that paddled around in the water, knowing their lives had a foreseen expiration date. Catherine showed me the specific breed of duck that's used to make foie gras. A canard/dinde, or duck with a turkey face that doesn't make any noise when it tries to quack.

After feeding the rabbits and chickens, I spread the dirty hay full of rabbit droppings over a patch of garden, then went upstairs and took a really long nap. The fresh air had happily infected me.

I woke up to the smell of jam cooking on the stove. The scent of the fruit of my labors emanated from the kitchen up the wooden spiral staircase and into my bedroom. Catherine was making jam from the berries that I'd picked that morning. They'd go into glass jars to be sold at the Saturday market in Fougères. Not only was the jam homemade, but so was the glue that held the labels to the jars. Catherine made her own glue with a mix of flour and water heated over the stove.

Groggy from my earlier work, I couldn't believe how she hadn't yet taken a break. After lunch, we'd taken to the garden and removed sick or dead potato plants, then called it a day.

During the evening, I watched a live music program on TV with Michel. Tracy Chapman came on and although Michel hadn't ever heard of her, he was impressed. But as soon as a punk band followed with a Fleetwood Mac cover of White Winged Dove, he turned it off, shaking his head. From there, he unveiled a cabinet full of jazz records and was surprised when I wasn't familiar with the American artists. Not a huge fan of jazz myself, I told him I was open to listening to some it, wondering how he'd gotten into it himself.

The soundtrack for the sunset that evening became Argentinian, Gato Barbieri and Brazilian, Astrud Gilberto. Michel told me that he used to live and work in Lyon during a time of economic prosperity, so he'd treat himself to a concert every week. He'd meet people who introduced all kinds of musicians to him.

I went to sleep that night with jazz notes dancing in my head, wondering what the next day would hold...